Wednesday, 5 December 2012

Beach Hut 5




Hut 399 tonight was all about gleams of glory amongst the grit and grime.  The installation was created by Josh Harrison and you can see more of his work and interests here.  





 The hut was themed around phrases from the carol Silent Night, particularly:

Glories stream from heaven afar
Son of God, love's pure light
Radiant beams from Thy holy face...





While the crowd enjoyed the visual feast there was audio of the carol playing with cows mooing away over the top of the carol - because a birth in a stable wasn't probably such a silent night after all... 


Real stable manure was mixed in with the straw to heighten the contrast that God should come to earth in such a humble way. 

Golden origami cubes were coming down from above, lit by the oversize bulb centrepiece and there was a trough of gold-wrapped sweets which was of enormous interest to children and adults alike.




Our next hut is number 374 and should prove to be a Holy Night.




Tuesday, 4 December 2012

Beach Hut 4




Hut 332 tonight was a vision of light on a cold dark evening.


Local writer Cathy Watts (author of the Sandies children's books) took the Star Carol by John Rutter as her inspiration, (you can listen to the carol here).













The hut had a large centrepiece star/snowflake and had a ceiling of stars looking down on the scene below.

Outside the hut was a collection of little Christmas characters with star shaped Christmas tree decorations which were given to everyone who came along and very tasty gingerbread people to eat along with our mince pies and mulled wine.


We spent a lot of this afternoon filming with George Clarke for a Christmas special edition of George Clarke's Amazing Spaces which will be broadcast on 18th December.


The next hut will be themed around Silent Night and is number 399.





Monday, 3 December 2012

Beach Hut 3


It was almost warm down on the seafront tonight as we trekked to the far west to hut 449 on the border between Hove and Portslade.  This particular hut was nowhere near any street lights and the dark really enhanced the light decorations in and out of the hut.

Susie Courtauld was the artist bringing together some of the traditions about light celebrated by a number of different religions at this time of year.  




Christ was at the centre of installation surrounded by love and light as well as symbols from other religions.



The theme for the night was Ding, Dong Merrily on High - the song sung by the angels in heaven sounding like the church bells ringing across the land at Christmas time today.  

To celebrate this Susie had made a beautiful angel from milk bottle tops - some of us wondered where you can get these nowadays!




There were fewer people out tonight compared with the huge crowds over the weekend, but this gave us a chance to talk to each other and there was certainly enough mulled wine and mince pies for everyone today.

The next hut is number 332 and will feature the Star Carol by John Rutter.






Sunday, 2 December 2012

Beach Hut 2


Tonight was a beautiful, still, clear cold night which matched the theme carol for the evening which was See Amid the Winter Snow (although without the snow - maybe that'll come later in the month!).  


Alex and Mel's hut was a calm, serene vision in white, with patterned snowflakes hanging from the ceiling and lots of winter bits and pieces to remind us of what may be yet to come before we get to Christmas.

For the second night running we ran out of mulled wine and mince pies because so many people turned up, our apologies to all those who missed out.  It's great that the event has become so popular but at this rate we're going to have to start producing industrial quantities of everything to keep up with demand each night!

Halfway through the evening an impromptu choir started up, singing along to the recorded music that was playing in the background.










The simplicity of this hut was a lovely contrast to the exuberance of the first night, both of these showing qualities which are part of the Christmas story.  The story of the baby born in the simple stable with nothing and nowhere to live, and the exuberance of the choirs of angels celebrating the opportunity for peace on earth that this represents.

There was a real sense of peace on the seafront tonight.


The next hut is the furthest west that we go as it's right beside Hove Lagoon at hut number 449.

Saturday, 1 December 2012

Beach Hut 1


At last Advent is here and we started the fifth annual Brighton Beach Hut Advent Calendar at hut 311 on Hove seafront with the carol I Saw Three Ships.  


It's becoming a tradition for St. Christopher's School in Hove to start us off on our annual journey to Christmas and they did us proud again this year with a hut full of nautical imagery and three gorgeous ships.





One of the ships sported an image of Mary crowned as the queen of heaven, watching serenely over the whole event.










The school choir came and entertained us with almost a full hour of singing despite the cold.  The huge opening night crowd joined in as song sheets were distributed along with the mince pies and mulled wine which unfortunately ran out due to the large crowd.


One of the features each night this year will be our Advent countdown clock.  This will be on display every night counting down the hour that we spend on the beach from 5.30pm - 6.30pm.  But it will also count down the 24 days as we make our journey towards Christmas day and the birth of Jesus.  This countdown clock will feature as part of our Christmas Eve celebration, only a few hours before Christmas Day itself.

The next hut is number 268 - see you there.





Wednesday, 1 August 2012

(Me)ditation


This was our last event  before the summer holidays when everyone gets a chance to recharge and have a little 'me' time.

This event on the Hove Park Fingermaze provided an opportunity to think about who you are and meditate on your place in creation.






Before embarking on their journey through the labyrinth, each participant was loaded up with ten large pebbles as a symbol of the weight we often carry around with us in our everyday lives.

As they walked towards the centre of the labyrinth they came across stop points which were all themed around areas in our lives that can often define us such as work, relationships, faith, health. Some thoughts were presented on a small black sign and the participant was encouraged to think of the negative aspects of that part of their life and then to drop one of the stones at that point.

This continued until the person reached the centre of the labyrinth unencumbered with any stones and free to just be themselves.




On the walk out they came across the same stop points but this time were presented with a white sign with some thoughts about the positive aspect of that same are in their lives that previously had been a burden.  After some time for reflection on this the person could then pick up a flower and continue their journey having taken all the different aspects of their lives which weighed them down and replaced them with sweet smelling beauty.

 At the end they could take a white stone from the wheelbarrow and write their name on it as a sign of their new attitude to the roles they play in life.

Our next events are at the Greenbelt arts and music festival from 24th - 27th August on Cheltenham Racecourse.  For more details go to www.greenbelt.org.uk

If you would like to be involved but can't get to the festival you can take part virtually by tweeting your pictures of hidden paradise to #beyondhiddenparadise

Hidden Paradise Hove


On one of the biggest football nights in recent history (England vs Italy European championships quarter finals) we went searching for Hidden Paradise in a gym.

This event was mainly to try out some ideas for greenbelt where we plan to explore the hidden glimpses of paradise that are all around us but we just don't see, hear, touch, taste or smell them.



The room was set up with a number of interactive sensory stations which invited us to focus  on each of our senses individually to heighten our awareness of the wonderful things around us, every day.

There was a smell station with aromas to remind you of your childhood or your favourite relative, a touchy/feely station with lots of interesting textures to feel, an audio station where you could sit blindfolded and listen to some binaural audio on wireless headphones.



The highlight (for some) was a tasting bar with some very unusual items to eat and of course a lot of visual stimulus using video and the mirrors that were all along one wall of the gym.















We will be taking this idea and refining it for Greenbelt at the Cheltenham racecourse on Saturday 25th August in the main worship venue - InSense.  You can get details about the festival here.   If you would like to be involved but can't get to the festival you can take part virtually by tweeting your pictures of hidden paradise to #beyondhiddenparadise


Monday, 21 May 2012

HOME


If you haven't already heard, our 'Home' installation is currently being exhibited as part of the Brighton Festival. It is open to the public every Saturday and Sunday afternoon in May from 1pm-6pm at St. Luke's Church Prestonville. 
 
The exhibition features a wide range of sculpture, installation, painting and photography, some of which can be added to by the public. 

Our large floor map of Brighton and Hove already includes numerous additions, both decorative and personal. 

We also have a white room which is slowly being turned into an abstract work of art after an original idea by Yayoi Kusama who is currently exhibiting at Tate Modern.




For those of you who contributed to our Lent X installation in the North Laines, we have created a huge wall made up of the slips each person wrote on. These are varied in nature; whimsical, inspirational, sincere, witty and highly interesting to read - definitely worth a visit! Everyone welcome.  

Tuesday, 10 April 2012

TENEBRAE


Our annual Holy Saturday event took place at the weekend in a disused Church in Brighton. It was a highly appropriate tomb-like venue with its long stone walls and dark interior. For the third year in a row, we marked this unique yet often overlooked day in the calendar with our own version of a traditional Tenebrae Service. Nestled between Good Friday and Easter Sunday, Holy Saturday exists almost as a non-place, with many lingering questions surrounding the absence of God. When Christ called out 'Eloi, Eloi, lama sabachthani?' he experienced that complete isolation from the Father which leaves us with some poignant challenges to our existing faith.

The event was split into six sections, with a moment for silent contemplation between each one.
Our only light source came from six candles placed along the floor in the aisle, casting their flickering shadows over the solemn visitors.

The Shadow of Betrayal For the first scene, a table at the front was laid with plates, bread and wine as two people read an excerpt from Jesus' conversation with his disciples, indicating that one of them was about to betray him. Throughout the event, Jesus was referred to only as 'Teacher', with the disciples as 'Followers'. Removing the individual names proved potent as we were able to imagine ourselves in the roles, considering perhaps more vividly what it would have felt like to have been in the same situation. Readers sat interspersed with visitors so that the voices sounded from different places around the room. The scene ended with a desperate reading from Ecclesiastes:

"And I declared that the dead, who had already died, are happier than the living, who are still alive. But better than both is he who has not yet been, who has not seen the evil
that is done under the sun."

One of the candles was extinguished.

The Shadow of Anguish For this scene, a clay pot was placed on the central table. The spoken words were from Gethsemane, when Jesus declared that his soul was "overwhelmed to the point of death". He begged for the cup of suffering to be taken from him, before eventually surrendering his own will. A voice near the front cried out the moving words of David from this Psalm:

"Be merciful to me, O LORD, for I am in distress;
my eyes grow weak with sorrow, my soul and my body with grief.
My life is consumed by anguish and my years by groaning;
My strength fails because of my affliction, and my bones grow weak.
Because of all my enemies, I am the utter contempt of my neighbours;
I am a dread to my friends - those who see me on the street flee from me.
I am forgotten by them as though I were dead;
I have become like broken pottery.
For I hear the slander of many; there is terror on every side;
They conspire against me and plot to take my life."

Afterwards, the clay pot was smashed with a hammer and lay in pieces on the table. The second candle was then extinguished.

The Shadow of Treachery Here, a white shirt replaced the shattered clay, revealing a lipstick kiss on the collar. A reading took place relaying the betrayal of Judas where he hands Jesus over to the authorities after kissing him. Kissing You by Des'ree played afterwards, emphasising the paradox that exists between a symbol of such love and an action of utter betrayal which changed the course of history. The words Sealed With A Lethal Kiss unfolded above our heads as they projected onto the church wall.

The third candle was then extinguished.

The Shadow of Hypocrisy Next, we were reminded of how Pilate washed his hands of Jesus' blood by handing him over to the people calling out for him to be crucified. The cries of "Kill Him" were almost unnerving as they reverberated around the stone room when readers recounted Jesus' death sentence.

"He grew up before him like a tender shoot, and like a root out of dry ground. He had no beauty or majesty to attract us to him, nothing in his appearance that we should desire him. He was despised and rejected by mankind, a man of suffering, and familiar with pain. Like one from whom people hide their faces he was despised, and we held him in low esteem."

The fourth candle was blown out.

The Shadow of Humiliation For this scene, a crown of thorns was set upon the table. The readers took us through Jesus' last moments when he was struck, spat on, mocked and eventually nailed to a cross. More haunting words of Ecclesiastes' emptiness followed:

"Man’s fate is like that of the animals; the same fate awaits them both: As one dies, so dies the other. All have the same breath; man has no advantage over the animal. Everything is meaningless. All go to the same place; all come from dust, and to dust all return. Who knows if the spirit of man rises upward and if the spirit of the animal goes down into the earth?"

A lingering pause ensued, after which someone used a mallet to embed three rusty nails in a wooden cross on the floor. The sudden, deafening blows splintered through the silence and rang in our ears before the fifth candle was blown out.

The Death of Jesus For our sixth and final scene, with very little light left, we listened to the account of Jesus' very last hour. After hearing of how he was given vinegar on a sponge, we shared communion together, using bitter vinegar instead of the expected wine. Then the sheet that we had erected in front of the altar (Holy of Holies) was torn in two from top to bottom, resembling the temple curtain. The dramatic ripping sound signaled the end of our event, as the sixth and final candle was extinguished and we sat together for a while in complete darkness.

The feeling of suspense lingered on, as there was no mention of the next day. We simply left it at the death of Jesus whilst imagining the utter despair the disciples would have gone through after such an event.

THE END OF THE CROSS


After braving the past 40 days (and more impressively, 40 nights) in Brighton's North Laines, our Lent cross has finally been dismantled. The installation endured bitter sea air and windy nights, people climbing all over it, batting it, kicking it, unscrewing it, promoting events on it, moving it, smashing it and things sticking to it. Not to mention the copious amounts of bird poo from the tree above. Amazingly, it was only smashed in the once, meaning that it only had to be removed on one occasion for a little TLC, which was completed within 24 hours.

The scars spoke powerfully of the similar treatment Christ received when he was beaten before eventually being nailed to a wooden cross. But just as Christ rose again on the third day, so this photograph of the cross on Easter Sunday bears a significant resemblance to the events of that day recorded in the Gospels. As the gardner (street sweeper) tends to the garden (Kensington Gardens), the body of Christ (Perspex cross) discards the burial clothes (litter) and ascends into Heaven (is taken apart before being removed).

A fair few hundred slips were posted into the Cross, which will now be used to create an artwork for the Brighton Festival throughout May.

Tuesday, 20 March 2012

The Lent Cross dolorosa




We're halfway through Lent and the cross is having an interesting time in the centre of town 24 hours a day 7 days a week. In the first week there was an attempt to dismantle it by someone very determined who managed to unscrew all but one of the screws holding the top of the cross in place. despite the fact that these were hexagonal head screws which require a specialist tool to undo them.

The second week the cross went for a little walk as it had been wrenched free from the tree to which it was padlocked. Despite all of this people were contributing Lent thoughts and prayers in a very meaningful way such as the one which unfurled itself on the bottom of the cross for all to see on which someone had responded to the question 'what could I do without' by answering "hurting myself".



This week the cross took a more serious beating and a collection of cracks appeared in it until finally one panel was kicked in completely. This gave added poignancy to our informal breaking of bread and sharing of wine on Sunday afternoon as we contemplated the broken cross and what to do with it.

So we dismantled it for 24 hours and one of our team set to repairing all the cracks with metal strips, nuts and bolts and it was reinstalled yesterday afternoon, complete with the scars of the previous week. The perfection of the original transparent cross in all it's simplicity and cleanliness is now even more beautiful bearing the scars of it's mistreatment, speaking far more powerfully of the journey to Easter and all that it meant for Jesus than if it had stayed in it's original form. We hope to continue to repair any further damage and that those who pass the cross or go to it as part of their Lent devotion will understand something more of the suffering of God on the Via Dolorosa.